In the first third of the 20th century, dance emerged as a prevailing motif within European art, especially in the exhilarating jazz-infused atmosphere of Paris. It found itself entangled both in avant-garde movements and classical traditions, encapsulating the essence of each era's societal dynamics. By the late 1920s, no movement—be it traditional or avant-garde—could resist tapping into the rhythmic allure of dance, an art form that transcended the rigid constraints of its day.
Sculpture, with its dedication to form and substance, uniquely engaged with the concept of dance. This wasn't merely about capturing movement; it was about invoking the symbolic spirit of the time. Dance and sculpture became intertwined, reflecting each other in a vice-like grip that spoke volumes about cultural expressions of freedom and expressionism in an era shouting for liberation.